Iwalewa Gallery

Clement Ademola Williams, , Nigeria.

Clement Ademola Williams is a painter and printmaker whose career reflects a deep engagement with Nigerian and international modernism. He studied Fine Arts at Ahmadu Bello University, Zaria (1976), Bradford College, United Kingdom (BA, 1980), and the University of Benin (MFA,1994). From 1982 to 2012, Williams served at the University of Benin, where he contributed significantly to the development of...

Clement Ademola Williams is a painter and printmaker whose career reflects a deep engagement with Nigerian and international modernism. He studied Fine Arts at Ahmadu Bello University, Zaria (1976), Bradford College, United Kingdom (BA, 1980), and the University of Benin (MFA,1994). From 1982 to 2012, Williams served at the University of Benin, where he contributed significantly to the development of Fine and Applied Arts as a senior lecturer.
In 1996–97 he was awarded the Fulbright African Senior Research Scholar Grant in the United States, an experience that further broadened his artistic scope. Williams has presented solo exhibitions in Lagos, New York, and Ibadan, and participated in notable group exhibitions at the National Gallery of Arts, Lagos; Skylight Gallery, Brooklyn; and Wangboje Gallery, Benin City. His works are represented in collections including the United States Information Service, Lagos; the State University of New York at Albany; and the Printmaking Workshop, New York.
Williams’ practice is distinguished by his mastery of etching and painting, where symbolic figuration and rhythmic abstraction converge to explore themes of cultural heritage and human experience.

CLEMENT ADEMOLA WILLIAMS's Artworks

Echoed Forms, 1995

Clement Ademola Williams

Complex layering of etched marks yields a tapestry of form and void. This print contemplates repetition as memory, inviting quiet study where texture, shadow, and craft reveal subtle narrative depths.

Monochrome Topography, 1995

Clement Ademola Williams

Black-and-white incisions emphasize form and shadow, revealing landscapes of chiaroscuro. This etching explores formal tension and poetic restraint, where absence of color focuses attention on mark, depth, and enduring rhythm.

Stenciled Rhythm, 1981

Clement Ademola Williams

Vibrant planes collide, producing layered narratives through stencil and ink. The composition balances spontaneity with structure, inviting viewers to discover subtle variations and repeated rhythms echoing across the printed surface.

Chromatic Layers, 1981

Clement Ademola Williams

Layered inks and bold silhouettes create a graphic chorus across the sheet. This screen print celebrates repetition and contrast, presenting iconic forms that resonate with clarity, rhythm, and visual joy.

Quiet Impressions, 1998

Clement Ademola Williams

Delicate relief and rich contrast shape an intimate landscape of thought. Each pressed line becomes a recalled step, where repetition summons memory, and the etched surface holds whispers of experience.